A chaotic pile of discarded cardboard boxes stacked high against a dumpster, with multiple “No Dumping” signs warning against exactly this.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux
A lone white Eames-style chair sits abandoned beside a rusted dumpster covered in graffiti.
A perfectly good chair, left to keep watch over the alley.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux
A discarded Budweiser can rests on a yellow post beside a gas meter.
A lone Budweiser can left atop a battered yellow post, standing beside a weathered gas meter. The textures and muted tones make for a quiet urban moment.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux
A display case filled with decorated caps and sunglasses in a store window.
A collection of caps and shades, waiting for their next owner.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux
A close-up view of stacked rebar, forming a repetitive pattern with soft light falling across the metal.
A study in repetition—layers of steel forming an abstract industrial composition.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux
A bundle of rebar sticks with colorful tags and ribbons tied to them at a construction site.
A burst of colour in an industrial landscape—construction materials tagged for their next job.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux
A shadowy interior view of a small shop, seen through partially closed blinds.
A peek through the blinds reveals a quiet shop filled with mystery and forgotten items.
Camera: Leica M-D (typ 262) 
LensCanon 50mm f/1.4 LTM, AKA Japanese Summilux